Earlier this year, Netflix surprise-dropped several low profile horror films from Blumhouse. Such a strategy is always a gamble, but it can occasionally pay off, as in the case of Mercy Black, which dropped at midnight and hooked viewers with its eerie, Slender Man-esque story and glossy visuals. Less successful was Thriller, a standard slasher that gets caught up in it’s own mechanics and forgets to actually slash until it’s too late.
In South Central LA, a group of middle schoolers lures a shy outcast into an abandoned home in order to play a cruel prank. Chauncey, the loner, is sweet and crushing on Lisa, the only vaguely nice girl out of the group of popular kids. She’s reluctant to punk Chauncey, but is pressured to go along with the gag anyway. When the prank goes awry and results in someone’s death, the group bands together and pins the accident on Chauncey, who is sent to a juvenile detention center. Four years later, Chauncey is released and the pranksters, now seniors about to enjoy their Homecoming weekend, find themselves getting sliced and diced by a masked killer.
There’s a lot of time spent establishing who’s who in this film. It’s made especially challenging because the group of kids that pull the prank is unnecessarily large, and they’re all recast with older actors after the opening time jump. Many of the characters fit into slasher stereotypes as well and could easily have been combined for digestibility, but this may be because Thriller quickly pushes the horror to the background in favor of a social study on what it means to grow up in a neighborhood like Compton and how that affects young residents. For almost an hour, we explore how some characters seek to escape their home streets, and their various plans for doing so, while others have decided to embrace the roughness and the hard life as a means to either survive or thrive. These are interesting ideas to explore, and getting to spend time with our characters helps break down some of those tropes and make them more human so that when the killing does start happening, the audience feels each death.
The trouble is that most of the kills happen off screen, and a bloodless slasher is a boring slasher. Combine that with a group of unseasoned actors who can’t sell their characters and the result is a watered down fright flick that leaves little to be desired. Final Girl Lisa (Jessica Alain) is bland, receiving the least amount of development despite being our focal character. Chauncey (Jason Woods) is all brute and no brain, a revenge-fueled monster without layers, and Kim (Pepi Sonuga) is a sweet party girl chasing a local rapper that only has a personality disorder in which she speaks in the distorted voice of her dead sister. Huh? It’s all too strange, or familiar, to have any real impact, and genre fans will be able to call every expected turn before it happens, all the way up to the final, lackluster finale.
Unfortunately, Thriller‘s uninspired title is an accurate reflection of it’s uninspired plot. What could have been a nuanced, updated, urban version of Prom Night (1980) instead fizzles as a generic “seen it before” slasher. I have to wonder if first-time director Dallas Jackson originally envisioned an entirely different type of movie, given how much time is spent exploring the daily lives of these characters, and if the horror element was shoehorned in during later stages of writing/development. I’m not sure what the story there might be, but I have to assume that it’s far more thrilling than the result.
5 – Totally Terrifying 4 – Crazy Creepy 3 – Fairly Frightening 2 – Slightly Scary
- 1 – Hardly Horror