No question that 2020 will be remembered as being absolutely horrifying. It deserves nothing less than an excruciating, fiery death while the rest of us dance on its corpse in post-traumatic delirium/glee/drunken abandon. But the year will also, hopefully, be remembered as being horror-ful.
Sure, the COVID-19 pandemic derailed a number of major studio sequels like Candyman, Halloween Kills, and The Conjuring: The Devil Made Me Do It, as well as bumping back a number of highly anticipated original fare such as Saint Maud, Antlers, Last Night in Soho, and Malignant; but horror as a genre was far from deterred. Debut directors dropped movies that blew our minds and broke our hearts, streaming services filled the theatrical release gap in spades, and film festivals opened their doors to at-home audiences in hitherto unknown fashion. The result was that, against all odds, 2020 was one of the strongest years for horror in recent memory.
As such, narrowing this year’s offerings down to a best-of list proved extra difficult for both myself and Miss Mel. As such, we’ve forgone the traditional top 10 in favor of a Top 20…each! I suppose we could have been more savage and cut the lower ten, but come on, hasn’t this year been brutal enough?
Read on for my Top 20 Horror Films of 2020, and find Miss Mel’s list here.
A somewhat familiar narrative that’s well acted, nicely shot, and offers a satisfying conclusion for those who are patient with it, Spiral was a commendable treat. I also loved seeing a same-sex male couple as the central characters, and even though I wish Malik’s backstory had been more fleshed out, it still resonated with me.
Fun and flighty with plenty of giggly moments and a few that actually made me guffaw, but not quite as much substance as in Christopher Landon’s other playful slasher send-up Happy Death Day. The “clam jam” line makes up for absolutely everything, though.
18. The Hunt
An ultra-violent satire with an over-the-top premise that puts an interesting twist on The Most Dangerous Game. By casting “redneck deplorables” fighting for their lives against vegan NPR neoliberals, the film challenges and holds a mirror to us-vs.-them mentality. Thought-provoking if not always profound, and Betty Gilpin is absolutely delicious in the lead.
A futuristic dystopian low-budget siege film that features Stephen Lang kicking ass in a neon-soaked, grindhouse hellscape all set to a score that would make Carpenter jealous. Come ON, in what world would I not love this?
16. The Cleansing Hour
A chilling update to the possession sub-genre that plays out on the set of a vlogger-exorcist’s fake YouTube show. Cynical, creative, and quite shocking at parts, plus the much underused Kyle Gallner make this a win for me.
15. The Mortuary Collection
2020 was the Year of the Horror Anthology. Two of the three major ones are on this list (Scare Package just missed the cut). The Mortuary Collection is a creepy, atmospheric, gory blast. I was completely in love with the production design, and I firmly believe Clancy Brown needs to play The Tall Man in a Phantasm reboot.
14. Sea Fever
Great films are often those that understand exactly what they are and don’t try to be anything more, they just focus at excelling as themselves. Sea Fever is one such film. It’s icky and disturbing and doesn’t hold back. Alien meets The Thing meets Cabin Fever set on an Irish trawler. I mean, YO!
13. The Wolf of Snow Hollow
A darkly amusing genre mashup exploring toxic masculinity, fatherhood, and internal demons. I’m an admitted sucker for werewolf stories and this movie reminds me why. There’s some great comedic and horror beats, and the camera work is bursting with style and personality. It’s no Thunder Road, but Jim Cummings proves he’s still one fearless fucking filmmaker.
12. The Lodge
Paralyzing, agonizing, and very mean-spirited yet full of gorgeous cinematography and outstanding performances. Probably the most nightmarish film of the year as you really, really, really don’t want to see what happens next, but you can’t find a way out. Also? Fuck dem kids.
11. La Llorona
A quiet and tantalizing film that has less to do with the Latin American legend of the Weeping Woman and more to do with the inherited cultural trauma of the Guatemalan Civil War, La Llorona has stuck in my mind for months, and will continue to do so for many more.
10. Gretel & Hansel
An impressive update of the age-old Grimm fairy tale. It’s moody and heavy and packed to the gills with dread. It’s also aesthetically stunning and gorgeous and one of my new favorite Films-That-Use-Color-Expertly. Patient, meditative, and rich from start to finish.
9. Hunter Hunter
On the surface, the film appears to be any other run-of-the-mill survival story of a scrappy family living in the remote wilderness facing a roaming wolf on their land. But slowly it becomes clear that this film is…so much more. Horrifying, gripping, and unforgettable. And that ending is BRUTAL.
Haunting and heart-wrenching, this very slow burn mounts to a truly terrifying third act. Dynamite performances from Emily Mortimer and Robyn Nevin elevate a metaphorical story that mediates on grief and parental loss. Debut director Natalie Erika James doesn’t hold back or hold hands, and I’m very curious to see what she does next.
7. Anything for Jackson
Has there ever been a more sympathetic or likable pair of villains than the elderly couple at the center of Anything for Jackson? The answer is no, so props must be given not only to Julian Richings and Sheila McCarthy but also director Justin G. Dyck for bringing to life one of the unnerving, dark, and strangely humorous films of the year.
6. His House
Another outstanding 2020 debut feature. Director Remi Weekes effortlessly blends existential terror with the supernatural to craft a new sort of haunted house film that sticks in the mind and soul thanks to twisty, striking visuals and bravura performances.
5. Scare Me
Delightful. So freaking delightful. Easily the film that most surprised me this year, and one that genuinely stands out in a crowd. It’s minimalism done to a T, relying on sound, dialogue, and performance to frighten and entertain–and it works! Cozy, witty, and razor-sharp on its dissection of writing culture, an A+ for debut director/writer/star Josh Ruben and co-star Aya Cash.
4. The Invisible Man
A relentlessly uncomfortable viewing experience in the best possible way, Leigh Whannell updates the time-tested tale into a suspenseful exploration of domestic abuse, toxic masculinity, and resilience. A gut-punch of a film that weaponizes space and pushes psychological terror to the max to profound effect.
Unquestionably the hottest horror film of 2020, Host will also be a perfect time capsule of its time. Made entirely in quarantine, it’s a brief, nail-biting little film-that-could that had everyone, myself included, jumping at shadows and small noises in the night. Not only will this be the film we all remember as the pinnacle of what it meant to live the horror of 2020, but its techniques will be imitated by filmmakers for years to come.
2. The Dark and the Wicked
Easily the most terrifying film of the year. A perfectly executed masterpiece of insidious sound design, shadow play, and suffocating dread all wrapped around some supremely disturbing visuals. It’s incredibly bleak, a different yet equally unsettling sort of nihilism perfected in director Bryan Bertino’s earlier creep-fest The Strangers.
Mind-bending, unflinching, and bizarre. Brandon Cronenberg follows up Antiviral with a film that is both homage to his father’s work and a showcase of his own sensibilities as a filmmaker. Everything about the film is slick and sleek, from the gory violence to the glorious aesthetic to the spellbinding performances. Cerebral and evocative and stunning, it takes the top spot for me this year for how unique and (you guessed it) possessive the viewing experience was.
Well, that does it for 2020–a truly solid slate of horror. Here’s to keeping up the creep in 2021! See you there, Chatterers!