All empires end, even The Purge. As one of the most financially reliable horror franchises of the last decade, writer James DeMonaco’s The Purge series has spawned five films and a two-season television show that have dominated political horror discussions among genre enthusiasts. The topical themes of the films–race, class, a divided America plagued by prejudice and violence–make this the most overtly political franchise in horror, but the series has often been accused of being too heavy-handed in its critique of American patriotism. The Forever Purge, the supposed final entry in the saga, is not a subtle film by any means, but its pointed observations on the state of our nation still ring frighteningly true.
Eight years after the Purge was stopped at the end of The Purge: Election Year (2016), the New Founding Fathers have resumed office and immediately reinstated Purge Night, their annual “holiday” wherein all crime, including murder, is legal for twelve hours. The reinstitution of the Purge comes in the wake of a national crisis surrounding immigration, as depicted in the opening sequence where married couple Adela (Ana de la Reguera) and Juan (Tenoch Huerta) pay a coyote to smuggle them across the border from Mexico to Texas. Ten months later, on the eve of the first new Purge, Juan and his friend T.T. (Alejandro Edda) are working as ranch hands for the wealthy Caleb Tucker (Will Patton) and his son Dylan (Josh Lucas). There is tension between Dylan and Juan, as the former is wary of Mexican laborers, a prejudice not shared by his pregnant wife Cassie (Cassidy Freeman) or his cowgirl sister Harper (Leven Rambin). Nevertheless, everyone involved despises the Purge and is able to survive the night unharmed. But the Purge is not over. After the siren signaling the end of the Purge, an armed group of “Ever After Purgers” attack the ranch, sending our core characters fleeing, only for them to realize that nowhere is safe. The Forever Purge has begun and anyone deemed to be “un-American” isn’t safe.
What follows in writer DeMonaco and director Everardo Valerio Gout’s film is an interesting twist on the basic plotline of all the prior films. Whereas our heroes in the prior Purge movies had to survive the night, now they must survive after the night. 7 a.m. cannot save them. It’s an intriguing flip and one that the series has been building to for some time: what happens when enough people take the Purge too far? A background subplot makes it clear that The New Founding Fathers have lit a fire that not even they can control, calling to mind the January 6 insurrectionists indirectly empowered to attempt their coup thanks to hateful rhetoric spewed from official political channels. It’s all the more prescient when one considers this movie was filmed before the events at the Capitol.
Like its predecessors, The Forever Purge is not a nuanced film by any means, and it paints in broad strokes for both narrative and character. Juan and Dylan are archetypes that must not only overcome the external threat of the Forever Purge to survive, but their own internal biases towards one another in order to work together. While there are touches of who these characters are as people, there’s never enough to justify our investment in them as the viewer. Instead, we are left uninterested in their relationship and its symbolic undertones and instead focused on Adela, easily the most interesting character with the most intriguing background. de la Reguera steals every scene she’s in, a charismatic and talented performer acting as the emotional anchor of the film, but not given nearly enough to do on screen.
That said, there’s still a lot to like about The Forever Purge. Cinematographer Luis David Sansans shoots and frames the Texas countryside beautifully, almost making the film feel like a traditional Western. There’s also a great long-take that follows the characters as they move through the war torn streets of El Paso seeking shelter before their final push to flee to Mexico, a clever if on-the-nose inversion of current global affairs. As always, there are some hella creepy masks, though for the most part the true terror of this film is the bland, mask-less Ever After Purgers and the very idea that this horrific night has now escaped beyond its bounds.
Honestly, I’m impressed that a franchise can produce a film this serviceable for its fifth entry, and if this truly is the end of the Purge story as we know it, I think it’s a fine conclusion. The film closes on a note that doesn’t shy away from how dire things have gotten for the United States, but that also doesn’t completely doom the country entirely. Hope remains. The battle to keep hate at bay and challenge systemic wrongs is neither easy nor clear at times. As Chiago (Gregory Zaragoza), the indigenous coyote guiding our heroes to safety in Mexico, says, this fight is forever.
The Forever Purge
5 – Totally Terrifying
4 – Crazy Creepy
3 – Fairly Frightening
2 – Slightly Scary
1 – Hardly Horror