There’s a fascinating movement that’s been happening in the horror community in recent years wherein fright freaks are reevaluating movies from the early to mid-1990’s, long considered horror’s bleakest period in terms of quality film, and finding things to love in once universally panned films. Bad Moon is one such film for me, though I always loved it back in the day. I’m thrilled to see it find more cheerleaders now, not because it’s a game-changing revolutionary werewolf film, but because it’s heaps of fun and with the right audience, can be absolute viewing perfection.
Globe-trotting photographer Ted (Michael Pare) is romping around in the steeped forests of Nepal when he’s attacked by a werewolf. Upon returning home, Ted secludes himself in a trailer near the mountain home of his sister Janet (Mariel Hemingway) and nephew Brett (Mason Gamble). As Ted and Janet begin to reconnect, mutilated bodies begin appearing in the woods and Thor, the family dog, takes an instant dislike to Ted, attempting to warn the family that something is very, very wrong.
The werewolf is one of the most complex and layered monsters in horror, yet the werewolf film has proven an elusive beast to tame. Bad Moon is by no means the gold standard for the sub-genre, but it understands that at their core, werewolf stories are about tragedy. This movie gives that tragedy an interesting spin in that Ted, the victim-turned-monster, isn’t our tragic figure–he embraces his newfound violent tendencies all too easy and eagerly–but the family unit threatened by forces supernatural and as close to home, or kennel, as could be. The inherent sadness of the film is not Ted’s transformation from man to beast, but that of a family just on the brink of reconciliation and happiness being torn apart and subjected to grief and trauma at the hands of one of their own.
The true standing power of Bad Moon is in the creature effects, however. Being that it was the 90’s, all the effects are practical, of course, and it’s truly stellar costuming and makeup, courtesy of Steve Johnson. The werewolf is hulking, feral, and gnarly. It’s a pure reflection of the earliest, most brutal werewolf myths that emphasized the savage nature of the monster. The werewolf is the ultimate killer, and each attack and mauling is appropriately gory, none more so than the opening scene, an in-your-face juxtaposition of sex and violence that was rare to see in 90’s horror flicks after the MPAA came down hard on that sort of the thing in the late 80’s. The film is all the better for it, however; a bold promise on what the rest of the movie has in store.
Bad Moon is not an everyman’s horror film, but just because it was overlooked and undervalued in 1996 doesn’t mean it’s a bad movie. There’s plenty to love here for those that appreciate top notch practical gore and creature effects, an assured sense of story, and gorgeous scenery all packed into a neat runtime. A victim of an era when werewolf and monster films, hell even horror in general, were struggling to find an audience, this onetime runt is perfectly primed to lead the pack.
5 – Totally Terrifying 4 – Crazy Creepy 3 – Fairly Frightening
- 2 – Slightly Scary
1 – Hardly Horror